Showing posts with label feminism. Show all posts
Showing posts with label feminism. Show all posts

Thursday, November 19, 2015

Continued: Article Response Regarding Alcoholism and Sexism

This is a continuation of a previous blog post.  I’ve been sitting on it for a while.  Even before I wrote it, it was eating at my mind.  If you’re wondering, yes, it’s also a response to an argument I had.  An argument where I gave in when I should have said we’ll have to agree to disagree.  Best I can do now is get this out there.  


Telling your daughter one-on-one not to overdrink is one thing.  Addressing it to the female population at large is different.
It tells people that this should be the general rule, for women to follow, to stop causing their own violation.  The people who would perpetrate this violence are emboldened by this.  The rules haven’t changed after all.  It’s still buyer (drinker/partier) beware out there, otherwise they wouldn’t be telling women to hold back, right?  It’s just a force of nature, the violence that happens to women in these situations.  


It’s one thing to tell someone not to walk into a dark alley.  This goes for everyone.  Anyone here can be victim or perpetrator.  Directing this talk to women alone posits men as the perpetrators.  This is the lingering cultural influence we are fighting.  It’s the person who genuinely believes it’s OK for him to take advantage of an inebriated woman.  That’s just how it is.  To the victor go the spoils, right?  You’re just a boy being a boy (even if you’re age of majority - apparently “boys” are molesters by nature).  There are people out there who actually need to be told this is not right.  


You say you want to wait until the culture changes?  The outrage you’re hearing is the sound of the culture changing, and that  yet you’re trying to quiet it down.  


What I’m hearing is people poking and nudging their daughters back into the closet, with empty promises of future cultural changes.  


So what if we do take these kinds of measures - drink less, wear short hair or hats, stop wearing skirts, carry a baton wherever we go, only go out during the day, stop taking taxis…..?  Things are going to keep getting added to the list.  We could be wearing burqas and never leaving the house at all.  Abuse will continued, because sexual abuse is a decision, not an act of nature.  The perpetrators will simply find other ways to abuse, because the culture has not put the onus on them.  


What I am saying is that culture is quite possibly the most important factor in this.  When we hear about places around the world where rape victims get stoned to death or girl children are  killed because families wanted sons, it’s not because those activities are legal in those places (many times, they are not), it’s because the culture is that strong.  


It’s easy to think that telling women what to do and not do is the way to help them.  In fact, that’s how we approach a lot of problems.  You would think that all anyone ever needed was to be given their marching orders in life.  Unfortunately, we do have to get hands-on with the problem itself.  Part of that is to stop rationalizing these behaviors just because we don’t want to think that the perpetrators are capable of them.  Part of the problem is that many people think it’s acceptable to act in this way because nobody speaks out about it.  These may well be non-malevolent (if not-too-bright) people who have been cultivated to think these actions are actually more or less forgivable.  Then when they find out it really isn’t OK, it comes as more of a shock than it should.  It’s the same with bullying in general - culture accepts it, and so it is used for all it is worth.  

Changing attitudes is the most effective thing we can do to combat these problems.  This is the root of the problem.  

Wednesday, May 29, 2013

Book Review: Who is Ana Mendieta?

After giving it some thought, I'd like to make a little room in this blog for book reviews.  I have a fair number of books in my possession, many of which I am quite fond of.  This week, I'd like to introduce you to a recent favorite of mine - a graphic novel titled "Who is Ana Mendieta", the work of Christine Redfern and Caro Caron.

I was lucky enough, not only to see the original artwork for this graphic novel, but to have the chance to study it up close over a matter of about two months.  During this time, the panels were on display in the art gallery at which I work.  They told a compelling story in a cartoon style not quite like anything I'd seen before - elastic and raw, with so much punch and emotion I would almost forget it was all in black and white.  I found this format to be really effective at communicating the passionate and unapologetic nature of the story, and its heroine.

The novel itself reads as a biography of Ana Mendieta.  It focuses mostly on her years and work as an artist in the 70s and 80s, working in sculpture, film, and most notably her "earth-body" works.  It also focuses on her role in the feminist movement of the day, and the overall climate of that time in history.  While the biographical nature of the work, and the depiction of the influences surrounding Mendieta's life, make it seem at first like a snapshot of the time in which she lived, there is a story arc, which makes itself most clear toward the end.

A word of warning - this is a "graphic" novel in more than one sense.  Nudity and violence are not shied away from in the telling of this story, being as they are a significant part of it.  It is a very honest depiction, and the greater part of it is very beautiful.  Not gratuitous, but beautiful, brutal, and honest.  One of the big accomplishments of this novel, I think, is that there is so much focus on the beauty of Mendieta's life, such that it stays in the mind as strongly as the hardships and tragedy of it.

On either side of this story are longer pieces of text:  A forward by Lucy R. Lippard, and then an end part titled "Blind Spot - a note to readers".  At the very end is a newspaper-layout of articles giving more information on certain details of the story, illustrated with thumbnail cartoons from the main part of the novel.  Each of these sections holds interest, fleshing out the main narrative with smaller ones, using different formats to make it easier to take in piece by piece.  I am impressed by how well this technique works for this book.  It really is an accomplishment to be able to tell this story in a way that keeps the readers' attention, while providing the context of an incredibly complicated time in history.

Long story short, this book took me right in.  I wound up feeling as if I had a personal connection to this artist, whom I might otherwise never even have heard of.  The novel as a whole is fascinating and thoughtfully crafted, even as it delivers a hard emotional punch.  Not a book I'd recommend for all ages, but I feel it is important to have Ana Mendieta's story out there to be read like this.

Thanks for reading, Blogger world!  Before I go, the 365-part project continues :P -


February 19th, 2013:  Surrealist Jam in the Sun by ~Eseopia on deviantART


February 18th, 2013:  The Sun and Sands of Time by ~Eseopia on deviantART


February 17th, 2013:  Storm Before the Calm by ~Eseopia on deviantART

'Till next time!